Having said this, there are a lot worse guitars out there, and as well as being historically important, the 1820 bass can certainly provide the goods when required. Over the course of the 70s, the Japanese output improved dramatically, and in many ways these early 70s models are a low point for the brand. These new Epiphones were based on existing Matsumoku guitars, sharing body shapes, and hardware, but the Epiphone line was somewhat upgraded, with inlaid logos and a 2x2 peghead configuration. The Matsumoku factory had been producing guitars for export for some time, but the 1820 bass (alongside a number of guitar models and the 5120 electric acoustic bass) were the first Epiphone models to be made there. ![]() It is available in red, white or blue finish and by special order, left-hand.īy the end of the 1960s, a decision had been made to move Epiphone guitar production from the USA (at the Kalamazoo plant where Gibson guitars were made), to Matsumoto in Japan, creating a line of guitars and basses significantly less expensive than the USA-built models (actually less than half the price). The truss-rod reinforced neck is very slim for fast action and has 19 frets. A finger rest is placed to give maximum support to the hand. In addition, each has its own string mute in order that the player may control the sustaining duration to suit his requirements. The Mustang/Bass bridge utilizes individual bridges for each string that are each adjustable for length and height. A 1965 Fender Musicmaster II williesguitars 4.46K subscribers Subscribe Like Share 1.9K views 2 years ago Willie shows and discusses a very cool 1965 Fender Musicmaster II (long-scale version). Tone and Volume controls are conveniently located and permit any desired response. Each pickup section may be adjusted for custom string balance. True bass tone is achieved through the use of its single split pickup positioned for maximum string response. The new Fender Mustang Bass is ideal for the student or small adult, inasmuch as it features a 30" string length and the smaller Mustang body. The new Fender Mustang bass is described as follows: An image of the guitars described is shown on the previous page. This is the right hand page of a two page spread. Description of several lower-priced guitars, and steel guitar sets: Fender Mustang guitar, Mustang bass, Musicmaster, Duo Sonic, Champ and Studio Deluxe sets. More percussive as well.Fender 1966-67 guitar and bass catalogue. The pickup is definitely warmer than my USA strat and MiM strat’s neck PU. It’s perfect for J Mascis type melodic leads and I LOVE how it handles fuzz. I usually play through my big muff into my DRRI or use my H20 for some nice slow chorus. ![]() It sounds bigger, "spankier", and at the same time warmer, than the neck pickups on my US standard Tele or '65 CS Strat. But it is structurally very solid and plays and sounds perfectly. This Musicmaster is in good condition, it has lots of finish wear, espacially at the back. With a single pickup and no vibrato system. The Fender Musicmaster was the first of their 3/4 scale guitars. Indeed, it's hard to sound like Malcolm Young or Kirk Hammett. Dakota red Fender Musicmaster II from 1965. I can play anything from 80's new/cold wave to stoner (I love to play it through heavy chorus (welcome The Cure's Disintegration) or thick fuzz). Musicmasters sure have a huge amount of mojo and are much more versatile than they look. There is no way to buy a 60's Strat or Tele, and vintage Mustangs are getting out of reach as well (Duo Sonics are nowhere to be found). As said in a very angry previous post, I was looking for a way to get into vintage gear. A few months ago I bought à 66 Daphne Blue Musicmaster with its case, 100% original. Looking for an original to replace it with.Ĭongratulations my friend. ![]() The G string tuner was replaced with a Gibson deluxe non top loading tuner at some point. I bought an original '66 flat pole fender pickup that came right out of a duo sonic. When I bought this guitar it had a 1980's Seymour Duncan hot stack, which I immediately switched out for the real deal. I noticed this before I bought the guitar but it doesn't really bother me. Also, the finish looks to be the original color HOWEVER it's not the original finish! It's been hand painted on with a brush and is very thin. Not a big deal for me since I think they look fine. My only gripe is that the knobs are not original, although they do seem to be genuine tele knobs. And I do NOT miss the bridge pickup at all The pots date this guitar to 1966 as does the neck. This guitar has the exact tone I've been looking for: a good amount of low end punch with just the right amount of definition. I only paid about $800 for this thing!! It's a bit beat up and not 100% original. Beautiful guitar, I just didn't have the money for it. Just thought I'd post about my new favorite axe! I got this '66 Musicmaster II a few months ago from Sam Ash here in NC and I can't put it down! I'd only played one before, and it was a 1960 Desert Sand.
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